Damian Moppett’s lessons in art history

moppett van sun

On the floor of the cavernous exhibition space in Bob Rennie’s private Chinatown gallery, Vancouver-based visual artist Damian Moppett is assembling his latest work.

Red aluminum pipes and plates lie arranged in rows, while cables hang from the gallery’s 12-metre ceiling.

The massive site-specific piece makes a nod to art history — a hallmark of Moppett’s work.

Arts event crawls east

DSC03689

It’s studio-hopping season again. For three days, the Eastside Culture Crawl will see hundreds of local artists open their creative spaces to the public.

Each year the Crawl, which kicks off tomorrow, serves as a snapshot of East Vancouver’s arts community. And while that community continues to find creative ways to thrive, there are a few changes afoot.

Red Gate locks up for good

louie_red_gate_last_weekend_2

After a long struggle to meet City demands, the Red Gate artist space on West Hastings Street has been shut down permanently.

Over the last four months, members of the creative hub have laboured to address safety concerns raised by the City of Vancouver. But after failing to submit a full plan for development, the group of filmmakers, painters, musicians and visual artists have been pushed out.

Beautiful Dark Twisted Fantasy

kate steciw pool

Like everyone with a laptop or a smart phone, bits and pieces of artist Kate Steciw’s life are stored away on hard drives. But unlike the rest of us—who may spend hours clicking through Tumblr and Facebook photos without much thought—Steciw is acutely fascinated by the use of screens to access images and memories.

“Looking at my old jpegs on my camera phone, I really began thinking about the way that the digital photo is ubiquitous in our lives,” says Steciw, reached at her Brooklyn studio. “These images on cameras and computers are at once so much a part of us, and yet they never really find their way into the actual world.”

Red Alert

red gate 'order to vacate' stands

Just over a month after the New Pornographers headlined a free concert in Stanley Park celebrating Vancouver’s 125th birthday, the band’s recording studio and rehearsal space—located on the third floor of the Red Gate—has packed up permanently.

“We’re almost entirely moved out, sadly, but we’ve been there over six years,” says John Collins, bassist and multi-instrumentalist for the New Pornographers. “When Jim [Carrico] found the place we were the first people to get in there—before there was any electricity or water.”

VIDEO: Arms into Art

Artist Fiel dos Santos welds arms into art

At the world-renowned artist studio Núcleo de Arte in Maputo, Mozambican artist Fiel dos Santos recalls a childhood robbed by military struggle.

“I grew up in civil war,” says Santos, who was 5 years old when his country became embroiled in a conflict that would last 16 years. “In my area the rebels were coming two times a week, every month, every day — but I’m here.”

Sleepless in Salmo

Vancouver's own Erica Dee rocks The Village stage at Shambhala. Photo by Syd Woodward.

Contrary to what you may or may not have been told, Shambhala Music Festival is not held in outer space. But considering its remoteness, heart-stopping volume and 10,000 sparkle-encrusted attendees, it may as well be.

It’s a place where crystal healings and beatboxing tournaments happen in confusingly close proximity; where entire rivers are inexplicably dyed fluorescent green; and where motorized couches pass as entirely reasonable means of transport. Hosted on a 500-acre cattle ranch near Salmo, B.C. — about an eight-hour drive from Vancouver — Shambhala is a dance party destination for those craving spooky encounters of an electronic kind . . .

On Corporate Graffiti

plants

In honour of Public Ad Campaign—which is adbusting abroad today—here is a short documentary I made as part of my masters thesis about illegal billboards and the New York Street Advertising Takeovers.

Animal Instincts

02_daniel_egneus_italianrooms

They say grass is always greener on the other side. But for Swedish-born illustrator Daniel Egnéus—having already absorbed the beauty of London, Prague, Berlin, and Rome—the prettiest pastures exist in his dreams. “I always prefer to draw places and things I can’t go geographically,” he says, reached at his century-old home in Milan, Italy. “You have to draw them to imagine them—and then you can maybe feel a little bit safer, when you fantasize.” . . .

Get Wasted

music waste

Strap on your party helmets because Music Waste is back for another five days of weird and wild music, art and performance.

  •  

    February 2012
    M T W T F S S
    « Jan    
     12345
    6789101112
    13141516171819
    20212223242526
    272829  
  • Archives

Follow

Get every new post delivered to your Inbox.