Tuning into the Oscars last week, you may have asked: where are all the women directors?
Filmmaker Tracy D. Smith asked herself the same question. Zero women were nominated for directing awards this year, and Smith says their absence leads to a glut of shallow, uncompelling female characters on the silver screen.
“It’s never two women talking about their own experience, only ‘what do you think about what he said or did?’ and so on,” she says of the widespread “male gaze” in Hollywood. “It’s very common and very frustrating.”
Like any preteen boy with an overactive imagination, Chris Clark loved monsters. He preferred the blood-sucking murderous variety, but truly anything with claws or scales was acceptable.
Twenty-ish years later, Clark builds monsters for a living. As a Vancouver-based special effects artist (okay, his official title is prosthetic FX tech), he’s punched fur into monkey suits worn in the recent Planet of the Apes prequel, and splattered brains on set of the Final Destination horror franchise.
Sometimes we want what we can’t have. For Vancouver-based filmmaker Katrin Bowen, these words have rang true for sex and television.
“I was raised very religiously and raised without much technology,” the director says of her Mennonite upbringing in rural Alberta. “I didn’t see a TV until I was about 12.” On set of her latest film Random Acts of Romance, Bowen feels she’s come a long way to the sharp-tongued social media jockey she is today.