Filmmaker Desiree Lim isn’t one to stay within the confines of traditional narrative cinema.
The Vancouverite’s body of work includes campy behind-thescenes critique of a male-dominated porn industry, the untold plight of Burmese migrants, and many boundary-pushing dramas in between.
At this year’s Vancouver Asian Film Festival, Lim is poised to defy a new set of genre norms with The House: a ghost story that blends personal drama with pointed anti-Wall Street sentiment.
Known for comedic roles—most recently a spot on the HBO series Bored to Death—Ajay Naidu flexes his writing, directing and lead acting muscles in Ashes.
Audiences may recall his photocopier-smashing slapstick as Samir in Office Space, but Naidu’s latest indie film role is far from familiar.
Ashes is a dark and edgy portrait of two Indian-American brothers set in New York City’s underbelly. Tackling topics of organized crime and mental illness, Naidu says much of the story draws on his experience growing up “between cultures” in Chicago.