The musician and improviser puts her eclectic tastes on display with the first-ever Sound of Dragon Festival beginning May 1.
For more than two decades Vancouver has been a global leader for video game development. While a few big studios like EA Games and Capcom are still here, major industry shifts have pushed smaller tablet and mobile games into the spotlight. Guidebook sits down with indie gamers to find out the best ways to score a gaming job in Vancouver.
Next week Paper Tiger Television will host its first screening of the fall season. Along with a Berlin-based video collective called Pappsatt, we’ll be screening/discussing animations and documentaries about urban movements from NYC to Berlin. No cover! $2 PBRs! See you there!
On Thursday, August 30, the Vancouver Public Space Network is presenting an awesome collection of short films about public art, advertising, city hacking and other urban public space issues. Not to ruin the surprise or anything, but one of those short films is my documentary On Corporate Graffiti!
You might think it takes a lot of equipment to record and edit vocals, instrumental tracks, field recordings and music videos for half a dozen different bands. But for one Vancouver performance artist with a penchant for singing on her bike, all it takes is an iPhone.
Prophecy Sun is a singer, dancer and creator whose curiosity keeps her moving. “For me it comes down to accessibility,” she says of her pocket-sized piece of gear. “First and foremost, it’s so immediate. I don’t have to worry about getting someone else involved, I can just press record and start doing it.”
Since the Red Gate artist studio was shut down in October 2011, former manager Jim Carrico has been busy looking for another affordable haven for artists.
“I’ve been riding my bike around, putting the word out,” Carrico explains, estimating that he’s researched between 20 and 30 new locations. “The main thing we’re looking for is studio space, rehearsal space, production space—a place where people can afford to make art.”
“Affordable” is not an easy thing to come by in Vancouver, says Carrico, but at 281 Industrial Avenue, the price was just right: $8,500 per month.
On the floor of the cavernous exhibition space in Bob Rennie’s private Chinatown gallery, Vancouver-based visual artist Damian Moppett is assembling his latest work.
Red aluminum pipes and plates lie arranged in rows, while cables hang from the gallery’s 12-metre ceiling.
The massive site-specific piece makes a nod to art history — a hallmark of Moppett’s work.
It’s studio-hopping season again. For three days, the Eastside Culture Crawl will see hundreds of local artists open their creative spaces to the public.
Each year the Crawl, which kicks off tomorrow, serves as a snapshot of East Vancouver’s arts community. And while that community continues to find creative ways to thrive, there are a few changes afoot.
After a long struggle to meet City demands, the Red Gate artist space on West Hastings Street has been shut down permanently.
Over the last four months, members of the creative hub have laboured to address safety concerns raised by the City of Vancouver. But after failing to submit a full plan for development, the group of filmmakers, painters, musicians and visual artists have been pushed out.
Like everyone with a laptop or a smart phone, bits and pieces of artist Kate Steciw’s life are stored away on hard drives. But unlike the rest of us—who may spend hours clicking through Tumblr and Facebook photos without much thought—Steciw is acutely fascinated by the use of screens to access images and memories.
“Looking at my old jpegs on my camera phone, I really began thinking about the way that the digital photo is ubiquitous in our lives,” says Steciw, reached at her Brooklyn studio. “These images on cameras and computers are at once so much a part of us, and yet they never really find their way into the actual world.”
Just over a month after the New Pornographers headlined a free concert in Stanley Park celebrating Vancouver’s 125th birthday, the band’s recording studio and rehearsal space—located on the third floor of the Red Gate—has packed up permanently.
“We’re almost entirely moved out, sadly, but we’ve been there over six years,” says John Collins, bassist and multi-instrumentalist for the New Pornographers. “When Jim [Carrico] found the place we were the first people to get in there—before there was any electricity or water.”
At the world-renowned artist studio Núcleo de Arte in Maputo, Mozambican artist Fiel dos Santos recalls a childhood robbed by military struggle.
“I grew up in civil war,” says Santos, who was 5 years old when his country became embroiled in a conflict that would last 16 years. “In my area the rebels were coming two times a week, every month, every day — but I’m here.”
Contrary to what you may or may not have been told, Shambhala Music Festival is not held in outer space. But considering its remoteness, heart-stopping volume and 10,000 sparkle-encrusted attendees, it may as well be.
It’s a place where crystal healings and beatboxing tournaments happen in confusingly close proximity; where entire rivers are inexplicably dyed fluorescent green; and where motorized couches pass as entirely reasonable means of transport. Hosted on a 500-acre cattle ranch near Salmo, B.C. — about an eight-hour drive from Vancouver — Shambhala is a dance party destination for those craving spooky encounters of an electronic kind . . .
In honour of Public Ad Campaign—which is adbusting abroad today—here is a short documentary I made as part of my masters thesis about illegal billboards and the New York Street Advertising Takeovers.
Pop Touched Me is a self-conscious reflection upon artist Rob Pruitt’s implausible journey through fame and failure. From gallery-hosted flea markets to 101 test-driven art ideas, it seems oddly fitting that Pruitt’s playful and often participatory exhibitions have been immortalized in glossy coffee table reading. Now celebrated for painting shimmering panda bears, Pruitt was once excommunicated from New York’s art scene for a supposed racist homage to black American culture. (Evidently he and partner-in-crime Jack Early were terrible rappers) . . .
They say grass is always greener on the other side. But for Swedish-born illustrator Daniel Egnéus—having already absorbed the beauty of London, Prague, Berlin, and Rome—the prettiest pastures exist in his dreams. “I always prefer to draw places and things I can’t go geographically,” he says, reached at his century-old home in Milan, Italy. “You have to draw them to imagine them—and then you can maybe feel a little bit safer, when you fantasize.” . . .
Strap on your party helmets because Music Waste is back for another five days of weird and wild music, art and performance.
Last month, dozens of New York artists and activists battled the clutter of consumerism in a guerrilla-style billboard takeover. Mobilized by Jordan Seiler and the Public Ad Campaign, the 24-hour direct action replaced nearly 19,000 square feet of illegal advertising with original, anti-corporate street art.
There are many reasons to hate on the Olympics. Housing promises have been abandoned, the cost of living is rising, and millions of city dollars are being wasted—all for the sake of the 2010 Games.
So, if you like art, and want yet another reason to shake a fist at that hideous tooth-shaped Olympic countdown clock, mark your calendars for Friday, March 13. The unlucky night marks the beginning of an underground anti-Olympic art show called Art and Anarchy.
The Olympics are coming and not even a $478 million in debt is going to stop it. So, to celebrate the impending 2010 Games, the folks at VANOC have arranged a 50-day cultural festival. Yes, the 2009 Cultural Olympiad is upon us.
With over 400 events scheduled from February 1 to March 21 (85 per cent of which are Canadian) this enormous arts expo promises to showcase a whole bunch of super-talented Canucks. Among the ranks of this year’s Cultural Olympians is a young Vancouver band by the name of Said the Whale. On March 6, the upbeat indie five-piece will play the Biltmore Cabaret along with Montreal-based Karkwa and Lucie Idlout from Nunavut . . .
When Robert Pickton first made headlines, Jane Wolsak was in court, drawing a solemn expression on the now-convicted serial killer’s face.
Wolsak is a courtroom illustrator and an accomplished still life painter. This weekend, the Eastside Culture Crawl will offer a rare window into the world of working artists like Wolsak. She is just one personality among hundreds of talented artists featured in this year’s festival beginning Friday.
“Memory is the mother of community.”
These are the insightful words of Downtown Eastside poet Sandy Cameron and the mantra of the upcoming Downtown Eastside Heart of the City Festival.