Filmmaker gleefully reaches for once-forbidden fruit

RAOR-6

Sometimes we want what we can’t have. For Vancouver-based filmmaker Katrin Bowen, these words have rang true for sex and television.

“I was raised very religiously and raised without much technology,” the director says of her Mennonite upbringing in rural Alberta. “I didn’t see a TV until I was about 12.” On set of her latest film Random Acts of Romance, Bowen feels she’s come a long way to the sharp-tongued social media jockey she is today.

AUDIO: Liquor laws relaxed for the Rio Theatre

rio-bar

At 9:00 a.m. on February 9th, B.C. Minister of Energy and Mines Rich Coleman announced that the province will now allow multi-use venues like the Rio to screen films outside liquor license hours.

“The change allows license holders to screen films and broadcast pay-per-view programs outside the hours outlined in their liquor license,” reads part of the press release. “License holders will still not be permitted to serve liquor during the screening of movies.”

Coleman said venues will be able to choose the days of the week and hours of the day they wish to have liquor service, and that screenings may occur on the off times. This change is effective immediately.

Vancouver’s newest record label skips CD format

zulu records

Vancouver has a tradition of local forward-thinking record labels, from Nettwerk to Mint to Scratch Records. But the latest imprint to launch in this city has a new, untested idea: Sizzle Teen Records will forgo the CD format and focus on vinyl and digital sales exclusively.

“If you look at the big guys in the music industry, from Warner Brothers to HMV, they’re all pretty much failing,” says label founder Richie Fudalewski. “From our experience, CDs are not worth it.”

Vancouver’s “poster mafia” dominates a bizarre racket

openfile poster

Sure, Vancouver’s got a cut-throat real estate industry—we’ve heard that one before. But down below all the empty towers and backroom deals lies an even more mercenary racket: the fight for postering supremacy.

Yes, all those brightly coloured rectangles populating our city’s traffic poles and construction sites are actually pawns in a decades-long battle hidden in plain sight. And the hands-down winner of Vancouver’s visual real estate war, for the last fifteen years at least, has been a group known ominously as “the poster mafia.” Seriously.

Banning bikes on Broadway

critical mass

What began as an election campaign proposal has since snowballed into a heated online debate. In an October 24 editorial in the Georgia Straight, newly inaugurated Green Party councillor Adriane Carr first suggested “bike-free routes” on Vancouver’s main arteries like Broadway and Hastings.

“I realized in the beginning that I wasn’t specific enough,” says Carr, who is now advocating dedicated bus-only lanes on major roadways—a strategy Carr says was successful during the Olympics. “I’ve been talking to transit drivers who say it worked,” she continues. “The buses moved much more rapidly, and there were more buses on the routes.”

Arts event crawls east

DSC03689

It’s studio-hopping season again. For three days, the Eastside Culture Crawl will see hundreds of local artists open their creative spaces to the public.

Each year the Crawl, which kicks off tomorrow, serves as a snapshot of East Vancouver’s arts community. And while that community continues to find creative ways to thrive, there are a few changes afoot.

Learning to Love the Swarm

EYA-bees

“It’s easier than owning a dog,” says Alaina Thebault, East Van gardener and coordinator for the Environmental Youth Alliance (EYA). “But more work than a cat.”

Thebault’s not talking about pet iguanas or even backyard chickens. The next darling of urban agriculture junkies seems to be, well, bees.

AUDIO: Saturday night on Vancouver’s worst bus

victoria bus crop

It seems appropriate to be collecting horror stories from Vancouver transit riders on Halloween weekend. Last week OpenFile conducted an informal Twitter poll asking our followers which bus route they thought was the worst in the city. The winner—or loser, given the dubious distinction—was the #20.

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